Having seen the film, I can say Breathe was a wonderful collection of songs to accompany such a dramatic and artful flick. This record takes quite a while to really get going, but thatвЂ™s because it lets the listener bask in its vast, expansive atmosphere. But, with that said, what does this say about the groupвЂ™s only studio album Breathe?Д®ssentially, Breathe operates as both a fitting soundtrack and an incredible standalone album. Believe me, it was pretty damn confusing the first time I was trying to figure this whole thing out. Basically, in the fictional universe of the film, the band takes on the form of this one singer, and in real life, theyвЂ™re actually a legit band. So, is Lily Chou-Chou a band or a fictional singer? Well, depending on the contextвЂ¦ both. Get this: Lily Chou-Chou didnвЂ™t even start out as a band, but rather a fictional character that was devised for a feature film called All About Lily Chou-Chou - directed by Shunji Iwai - in which various high school studentsвЂ™ lives are affected and changed by the music of this titular singer. In fact, I donвЂ™t believe IвЂ™ve ever seen a case like this before (except maybe Spinal Tap, although not comedic). The haunting female vocals and keyboard backing are a perfect accompaniment to The Bride walking slowly and taking in wide assortment of katanas in her presence.ДЄnd yet, Kill Bill is not the only film that Lily Chou-Chou have been attached to. The song itself, вЂњHealing Wounds,вЂќ is an incredibly atmospheric ambient piece that matches the quiet and reverent tone of the scene beautifully. In fact, the song was used during perhaps the most pivotal scene in the entire movie: the moment The Bride (aka Beatrix Kiddo) meets legendary swordsmith Hattori Hanzo to request her very own blade to exact revenge on her enemies. However, the band IвЂ™d like to bring up today still remains largely unknown despite being featured on one of TarantinoвЂ™s most popular soundtracks, Kill Bill Vol. Or, in the case of Urge Overkill, giving a struggling band a hit song. Once in a while, heвЂ™ll bring out a popular tune like Nancy SinatraвЂ™s cover of вЂњBang BangвЂќ or Dusty SpringfieldвЂ™s вЂњSon of a Preacher Man,вЂќ but more often than not, he shines a light on artists that would otherwise have gotten lost in the ether long ago. YouвЂ™ve gotta give credit to Quentin Tarantino for filling his soundtracks with some of the most obscure and out-of-left-field music around. Review Summary: Sit back and enjoy the view

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